Happy new year! The fact that I’m saying so on the 14th of January should give you some idea how busy the first two weeks of 2013 have turned out to be.
I’m currently researching my next WIP, reading whatever and wherever my subconscious takes me to try to make sense of the hints of a story it sends up every once in awhile for my conscious mind to chew on. Consequently, I’m reading stuff I would probably never otherwise pick up, from pictorial and written histories of Vancouver in the last five decades to biographies of musicians and lots in between. At the moment, that includes reading Rod: The Autobiography, the un-mysteriously titled autobiography of Rod Stewart.
I’m a writer who doesn’t outline, but has to feel her way into and through the story. So when I read something Rod said about the writing process, it made me smile both because I related to it and because I’m reading the book to help me do precisely that. For all my writer readers, and anyone else who doesn’t quite know where they’re going until they get there, I give you Rod Stewart on writing:
“The whole process is a mystery to me, in any case. When we wrote ‘Maggie May’ and the song was in its formative stages, just a sequence of chords that needed some words and melody to fit, I hadn’t got a clue what the number was going to be about. I was just mouthing away and making noises, some of them words, in the spaces where the vocal was supposed to be. And suddenly ‘Wake up’ snapped into my mind — not even ‘Wake up, Maggie,’ just ‘Wake up.’ And where that came from, or why, I have no idea. You just have to think ‘Thank fuck,’ and allow yourself to set off after it, down the path to the rest of the story.”
Ain’t that the truth?
(Oh, and for the sake of proper attribution, that quote, used for commentary/review, appears on page 124 of the hardcover edition of Rod: The Autobiography by Rod Stewart, Crown Archetype 2012)